Oct 16

The Trojan Women

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  • Add to Calendar 2025-10-16 19:00:00 2025-10-18 19:00:00 The Trojan Women The Trojan Women by Euripides, translated by Paul Roche Directed by Tea Alagić Thursday, October 16, 7pm — GET TICKETS! Friday, October 17, 7pm — GET TICKETS! Saturday, October 18, 2pm — GET TICKETS! Saturday, October 18, 7pm — GET TICKETS! Minor Latham Playhouse, Milbank Hall 118 Tickets:  $14 general admission $7 with BC/CUID The Trojan Women – Director’s Statement The core of The Trojan Women revolves around the devastating aftermath of war: the fall of Troy. As the women of Troy are captured by the Greeks, they grapple with loss, exile, and uncertain futures. Our production at Barnard will be set in a modern-day, juvenile detention or refugee center. We will draw a direct line between ancient suffering and the current refugee crisis, particularly among young people. The women of Troy are not only losing their homes but their autonomy, identities, and futures. In modern refugee crises, young people often experience similar displacements—losing not only their homes but also their families, communities, and safety. A refugee camp or juvenile detention facility serves as a modern-day version of this liminal space where these young individuals have no control over their fate. The allegory is powerful: both the Trojans and modern refugees are victimized by forces far beyond their control (war, geopolitical conflict, systemic violence). In The Trojan Women, the majority of the characters are women, and their grief is both individual and collective. This is echoed in the experiences of young women refugees or detainees, who often bear the brunt of sexual violence, loss of family, and trauma. This context will allow us to explore the gendered dimensions of grief, as well as the solidarity that can emerge among women facing similar fates. Contemporary refugee narratives often emphasize the resilience of women, and this theme can be drawn out in the chorus, where each member represents the grief of an individual while collectively embodying the suffering of all displaced people. -- Tea Alagić, Director Scenic Designer Fuqing Yue Costume Designer Karen Boyer Lighting Designer Betsy Chester Composer & Sound Designer Robert M Johanson Video Designer Yana Biryukova Assistant Director Abigail Fixel Stage Manager Rosie Peppe Choreographer Sarah Kaplan with Barnard and Columbia students Barnard College barnard-admin@digitalpulp.com America/New_York public

The Trojan Women


by Euripides, translated by Paul Roche
Directed by Tea Alagić

Thursday, October 16, 7pm — GET TICKETS!
Friday, October 17, 7pm — GET TICKETS!
Saturday, October 18, 2pm — GET TICKETS!
Saturday, October 18, 7pm — GET TICKETS!

Minor Latham Playhouse, Milbank Hall 118

Tickets: 
$14 general admission
$7 with BC/CUID

The Trojan Women – Director’s Statement

The core of The Trojan Women revolves around the devastating aftermath of war: the fall of Troy. As the women of Troy are captured by the Greeks, they grapple with loss, exile, and uncertain futures. Our production at Barnard will be set in a modern-day, juvenile detention or refugee center. We will draw a direct line between ancient suffering and the current refugee crisis, particularly among young people.

The women of Troy are not only losing their homes but their autonomy, identities, and futures. In modern refugee crises, young people often experience similar displacements—losing not only their homes but also their families, communities, and safety. A refugee camp or juvenile detention facility serves as a modern-day version of this liminal space where these young individuals have no control over their fate. The allegory is powerful: both the Trojans and modern refugees are victimized by forces far beyond their control (war, geopolitical conflict, systemic violence).

In The Trojan Women, the majority of the characters are women, and their grief is both individual and collective. This is echoed in the experiences of young women refugees or detainees, who often bear the brunt of sexual violence, loss of family, and trauma. This context will allow us to explore the gendered dimensions of grief, as well as the solidarity that can emerge among women facing similar fates. Contemporary refugee narratives often emphasize the resilience of women, and this theme can be drawn out in the chorus, where each member represents the grief of an individual while collectively embodying the suffering of all displaced people.

-- Tea Alagić, Director

Scenic Designer Fuqing Yue
Costume Designer Karen Boyer
Lighting Designer Betsy Chester
Composer & Sound Designer Robert M Johanson
Video Designer Yana Biryukova
Assistant Director Abigail Fixel
Stage Manager Rosie Peppe
Choreographer Sarah Kaplan
with Barnard and Columbia students